Origamie facile
By this I mean that we will no longer have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Origami fleur
Uchiyama Bateaux En Papier+facile is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Bateau Papier Pliage Facile avoid the complexities of a model achieved only by folding.
Origami facile
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have made an appearance occasionally, nevertheless the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie
Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Fleur origami
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has been used and one can be certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper appears to be
Fleur en papier
The trimming out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this Avion En Papier Qui Vole Longtemps Et Loin kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.
Bateau en papier
The particular Bateau De Papier associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the creature Avion En Papier Planeur and then brought together. The concept may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have came out for folding a monster from a amount of pieces of different sizes.
Comment faire un avion en papier
In the most extreme combos of water and document we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe simplest step from a single color is one side female and one white or plain. A great package of modern Origami intrusions this colour difference. A delightful example is Joan Homewood's Origami Crane Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
